Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
看着一股银护味儿结果果然是银护导演导的！耗子蛮可爱的。但无论怎么说这个系列最吸睛的还是Harley，她路过的地方都会开出花。
这一版拍得太爽了，鲨鲨真可爱鲨鲨真可爱鲨鲨真可爱！！
~你是唯一我认为值得拿我标枪的人-我怀疑你在搞黄色。。。
哈莉美的冒泡，但更像个花瓶，可怜的路人甲弥尔顿。
在当下充斥着「政治正确」和各种「夹带私货」的电影环境下，本片可谓用一种「反潮流」的方式为类型片的正确打开方式来「续命」，用无厘头和近乎「冷笑话」的方式解构一切电影背后的「意义」，纯粹为了娱乐而拍电影其实是一种基本法，可惜如此简单的快乐也必将越来越远。
自杀小队大战海星版异形女王（以及海星版抱脸虫）
一边起鸡皮疙瘩 一边又煽情落泪 又恶心又唯美
6.8 足够漫画也足够恶趣味，便当小队集合的那个镜头即为影片的核心:美国国旗之下的“正义”游戏，peacemaker这一美国大兵式的恶棍形象即是它的最好代言，没在川普任期的时候上映实在是太可惜了。章回体的使用确实很鸡肋，也能看到滚导在叙事节奏上面的犹豫，但无论如何可以看到一部这般反叛又cult的好莱坞A类制作还是很惊喜的，好喜欢ratcatcherⅡ。
结尾的打斗升华。杀戮过程太过血腥，非常不适应，最后的老鼠勇战海星更甚。相比之下，还是喜欢正常的DC超级英雄的故事。
看睡着了……刚睡醒。坚持不到小丑女精彩之处了，这什么鬼。
不知道为什么要翻译成《X特遣队》这种不知所云的名字，开局的一场戏不正是“自杀小队”这个名字的精髓吗？同时奠定本片的搞笑基调。古恩导演成功地进行了一次《银河护卫队》的基因移植，让一贯苦大仇深的DC呈现了一次漫威化观感。玛格丽特·罗比果然天赋异禀，小丑女每次出场自带八米气场和五米疯癫，就如同杀戮中绽放的鲜花。本来奇怪片子里奇奇怪怪的角色是怎么想出来的，后来查资料发现几乎都有漫画原型，包括终极boss宇宙派大星，不由慨叹导演变废为宝的能力。最后，导演是中《异形》的毒有多深，从男主头盔到小抱脸星，各种无孔不入的致敬。
What's the point？
背景音乐水准在线，更像一个大型的音乐会；一些伤感的故事，好像接近成年的时期喜欢的自残的故事；脱线的剧情，包裹一个俗套又有点乏味的主线故事；无厘头的人物，充斥B级片对暴力的不节制。没有什么情感深度，适合青春期发泄一下压抑的心情。
DC还是很能打的，风格突出，血腥和暴力得暴爽。哈莉奎茵说，“如果你咳嗽不捂嘴巴，你会没命”～看见最后老鼠围城，不由得为迪士尼可惜了起来……
两大亮点：1，黑人是反派boss形象；2，反派杂兵中女性面孔很多。电影整体非常无聊，强行闹剧无厘头，只能靠血腥博噱头了
柯多马提斯国旗和玻利维亚的也太相似了，黑得这么明显吗？😂
上一部要是按照R级而不是暗黑风的拍，小丑一出场那不是可以留一笔在影史了？果然DC需要新风格。银河护卫队和X特遣队这两个团队超英都给古恩收下吧。
小拉达大战海星星，Taika Waititi和闺女说的那一番话我竟然泪目了ToT哎
套路界的清流——“反套路”套路😂 不适合边吃边看，因为耗子太多🥶省了空调了……
结尾的打斗升华。杀戮过程太过血腥，非常不适应，最后的老鼠勇战海星更甚。相比之下，还是喜欢正常的DC超级英雄的故事。
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