Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
演员比较惊喜！姜河那真是在不断挑战各种类型的角色呀！
片名应该翻译成《小强公主》，这绝对是个“打不死的小强”，坏人死于多嘴。那么多壮男都打不过两个女人，简直弱爆了，而且公主带着伤都能下水、跳墙、滑坡，丝毫不减战力，真是女权主义的典范。那个越南妹则是妥妥的中国范，挺给这部电影添彩，从颜值上来说，她也比公主强出许多。
可以说是零剧情。一个公主要成为君王，需要历经千辛万苦踏着敌人和男人的尸体才能前进，一个男人成为国王只需要娶个老婆，也很现实了。Joey King的打戏意外的很不错，虽然一个少女手刃无数壮汉是不可能的，看着很出戏，国王爹也是爹味很重了。
真替女主累啊，一路从penthouse打到一楼大厅。。。
帅死了普通的王子复仇故事全部换成了公主版本。拳头对拳头，剑对剑，看了两遍。
大女主爽片，曾经公主被困于高塔等待王子救援，现在公主一路杀下塔楼自己称王
没想到评分这么低…韩孝周好飒好好看，剧情确实有点吵闹的感觉。
女主光环，女主万岁！不需要剧情，开干就行了，打得敌方一片狼藉……
媳妇进来问“看啥电影呢”，“非凡公主”，“这是公主”，“嗯”，“公主为啥这么厉害”，“因为非凡”，“哦”。
4.1。
…一眼能望到底的剧情。但是女主and最后做了国王好评
最惊讶的是导演以前是拍国内五毛网大的（此处五毛是真五毛），但是放在这部片子看似乎导演能力也不是很差。虽然动作设计也几乎没有，动作戏游戏感都很强，不过女性夺权这个主题贯彻的还是挺好。只是我以为迪士尼和hulu共同的项目，起码应该有一些像无敌2里吐槽公主的那些梗的实体化展示，结果也没有，就是一个b级血浆片的拍法而已。导演以前拍那些东西，起码应该做的cult一点也没做，唯一有点趣的是一个中世纪故事但是对城堡解构内饰的想象明显很东方，让人看出一种国内少儿科普书的感觉。（女二比女主有气质，还挺神似辛芷蕾）
一路打怪升级，一人灭了整个军队，这么牛咋还能被抓呢
看预告就是公主不想被政治婚姻就武力逃婚的故事，当时觉得这剧本也意淫得太粗暴了。
前十分钟非常精彩。新鲜度过后非常无趣。场景烂，特效渣，剧情垮，演员尬。
没想到俺最喜欢的角色居然是琳(她好帅!)和她师父，还有国王…小妹也可爱，公主…还好吧，只能说换任何一个演员来都能演，怀念以前你坞的审美，现在真他妈断崖式下降…需要美女的安排奇特的来，美女还得被压着😅
稍微有点《disenchantment》的调调，从上到下一座塔开地图还蛮有趣的。
公主复仇记，打戏密集且有力度，开挂又如何？王子复仇一挑N没有叽歪，咋换成女性就逼逼了呢，不想嫁就不嫁，王位本来就是她的，重男轻女害死人。剧情很弱但我看的挺带感的，是爽片。。。
抱歉，最近社会新闻让人抑郁。
我是一条龙，来到海盗中。飞啊，飞啊，飞到海浪的怀抱中。韩孝周演技颜值双在线，就是理解不了化妆师的审美。两部电影把两个女神都毁了，要不是颜值抗打，就成千古恨了。
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