James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
这有点无厘头的搞笑片，加上血浆片，看看还行，然后那个炮灰挺可怜的
第一血腥一般，第二剧情大傻逼！进门地下室给了暗示有枪，随后的剧情里无论怎样就是跑，就是不用枪！这样的破片子居然7.5分？台球打头后枪柜子就在手边不拿。挣脱上楼有枪不拿。最惨的是老爷子何必来呢？居然可以和老爷子聊天不救老婆，而且没有任何打斗真安静后，快艇跑了。最后老婆一问才是亮点，以为一个台球，居然袜子里好几颗，怎么躲过搜身的？必然是肛门，天哪！人才！两口子要互杀结果杀了三个杀人犯！那个傻子朋友怎么处理的？居然无罪！不知道，穷的拿故事卖钱真是人生何处有惊喜！
主角团命好硬. 邻居死的好惨 笑点还不错 7/10
关于女性作为母亲身份“天职”的探讨，尝试离开家庭重角色后，承受的痛苦有多少来自社会的规训，又有多少来自内心母性的谴责?如此痛苦与在家庭中被束缚相比又如何取舍?
男主与囚犯战斗，几乎都被摁头打。
哈哈哈哈菊花超市立大功！男主一屁股坐下时的微弱呜咽爆笑了。
真 坑爹的死孩子
一个简单的故事，叙事方式给整洋气了。不过作为挺过瘾的
总结就是：一对人渣夫妻和一个智障帮凶以及三个逃犯相亲相爱的故事
血腥加反转，不过主角光环浓了点，父亲惨死也轻描淡写。
荒诞活泼紧张现实，其实婚姻最本质的东西就是利益，这是最坚实的基础
7分还不错挺爽的，达不到小而美的程度。剧情虽然几度翻转，却惊喜有限。血浆很足，娱乐效果不错，但故事本身很一般
唯一理解她的是威尔
真 坑爹的死孩子
[视]R血，导演<死亡之雪><猎杀星期一>，多角色，多视角。前期节奏太慢，中期开始反转，后期集中血腥，整体偏文艺，不及预期。一个导演，一个演员，舔鞋尖致敬周星驰，结尾升华不错
暴力血腥厮杀，顶多值得6分吧，分数偏高是因为喜欢血腥的人居多
时空逻辑永远不是线性逻辑 切割打破重组不是技巧 是基础
假如生活欺骗了你——
个人评分7分（主观影评、不喜勿喷）
Copyright © 2015-2023 All Rights Reserved
