Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
大帅逼怎么可能喜欢普女！！！！不可能！！！Taylor swift都不拍love story那种东西骗人了，西欧人又返祖开始在主妇意淫文学里大肆欺骗普女。我以为继50度系列之后欧美主妇已经疯到顶点了，结果又出来了After，当我觉得after已经够羞耻了，没想到这股意淫之风又在西班牙开枝散叶了，更别说这颜值还不如我们Hero。这种封建爱情故事的母题我们雅洲人从小浸淫到大，轻易不容易上当，欧美拍这种类型还是太不伦不类了。
预告和正片仿佛两个世界。预告画面令人浮想联翩，bgm渐入高潮，谁看了不期待天神下凡与普通少女的玛丽苏爱情故事？正片就是拖拖拉拉，“就这”的感情戏，不知所以的坠入爱河和无病呻吟的闹矛盾。——一位被预告欺骗，期待了好久的受害者
冲着女主cp两个美女颜值去看的，国外是不是真的好喜欢黑金啊哈哈哈
青春正当奋斗时，不畏艰险不畏迷茫，乘风破浪继续前行
TV版混剪+最后10分钟大结局揭秘 愚人节大礼
西班牙太猛了，这就是soft porn啊
期待已久！结局交代得很清楚了！虽然是浓缩tv剧情但完全是不一样的叙事手段！！最大的感想，这个公司画人真的画得好丑哈哈哈哈哈哈哈还是无法和解大门兄弟居然不是狗！
补上的tv版结局太甜甜甜甜了！“何の動物が見たい” “アルバカ…” “何で何で” “好きだから” “ いただきます———(///▽///)”
@@@（2022-04-01）オッドタクシー イン·ザ·ウッズ （Odd Taxi: In The Woods）（奇巧计程车 剧场版）
男主帅，男主帅，男主帅完男二帅，男二帅，男二帅，男二帅完男主帅（循环至结束）这个颜值搞玛丽苏不找个韩剧编剧真是大写的浪费，心动全靠簧？
什么莫名其妙的爱情剧情和不能在一起的理由……西班牙的高中生爱情又尬又扯
虽然内容没什么逻辑 但两个女主真的赏心悦目 明明金发更好看 但我发现自己的审美还是喜欢黑发棕色眼睛 并且谁能拒绝医生呢🩺
男女主颜值都不错 嗑嗑也行 发现我西语阅读能力比听力强多了
一定要去追番，这版只是顺了一遍故事，番的悬疑感弱了很多。这样的剪辑虽然让没看过番的也能看，但是代入感蛮差的，信息量大但是更看不进去。最后再扩充了一下结局算是没有比较就没有伤害，成功的是故事本身
比tv版就多了最后一点点情节，有点失望呀。tv版还是太赞了。
感谢很烂的字幕让我决定快进着看完，
这才是美剧高中生常态啊哈哈哈哈（划掉 西剧，主角都长得好在审美上哦，看看就得了千万不要相信这种阶级跨越的快速发展能发生在普通人身上，不然真会很危险哈⚠️
剧场版？
给人的感觉挺轻松的，蛮好看的 ，内容不错，轻松小喜剧
感觉所有的副cp都比男女主好嗑，但是这种玛丽苏也真是拒绝不了…我更喜欢男闺蜜的颜啊…
Copyright © 2015-2023 All Rights Reserved
