Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
开始：狼不抓羊，感觉好违和。
时光啊
带着孩子走进电影院才惊觉，我和对象认识于上一个虎年。那一天我被豆友叫到特殊学校做义工，他带着设备去给孩子们放喜羊羊的虎虎生威。（那是第一次见面。后来才经另一个朋友正式介绍认识。）那一年灰太狼还冲进羊村要吃羊，这一年都和羊组队打篮球了。
最后一节音乐课了。
这部电影的节奏不快也不慢，平静却不平淡。它以灰色和悲伤的色调显示出平静的温暖，就像夜晚最明亮的仙后座，为迷失方向的人指引回家的道路。
谁能想到，喜羊羊成了春节档最燃。它最值得肯定和鼓励的是，从番剧改成大电影，是有剧作意识的。尤其是第三幕，情节点依循赛场规则和进程设计。在对垒中也照顾到了群像刻画。场面做得不错了，技术上有待提升。
很难相信，这部已经放送了5000多集的动画，仍能再出新意，在全网引发轰动虽然票房成绩不理想，但口碑稳扎稳打，品牌效应扛得住。
这是今年第一部院线，时隔七年，喜羊羊再回春节档，我也是八年之后再去电影院看喜羊羊（好像我去电影院看的第一部电影是牛气冲天），感触蛮多的，远远好于前几部，延续了筐出胜利的质量，细节真的很细，且很有现实意义。这部电影既是做给小朋友的，又是献给老观众的。
节奏还不错的其实，就是NBA和灌篮高手的各种融梗。
好看！！就是人物比《筐出未来》里比例更接近人，一开始看不太习惯，其他都还好～希望还能继续看到喜羊羊与灰太狼大电影。评分偏低大概是因为春节档上映，那时候又没啥能看的电影，吸引了一些非受众群体，不习惯看子贡向动画……个人觉得作为子贡向已经做得很好了。
看这部电影最大的困难是我对篮球真是一点兴趣都么得，刚开始部分看得相对艰难一点，后边整体的节奏相当不错，尤其是新赛季的前边概括性的章节。作为群像，球员的形象也有立起来。懒羊羊三分球非常棒👍🏻妈妈为你骄傲🥰帅死了我们小懒。画面也做得很棒，很有观赏性，虽然我不懂篮球名场面但我也看得开心。
哈哈真的好燃！！而且好帅啊！！出乎意料地好看！还有一星来自屁周的强烈要求+电影院可爱的观众们！哈哈哈感觉我们形成了一个球迷共同体～
还有灰太狼那句“我们努力工作，不就是让孩子做他热爱的吗”爆哭。
好久没看到喜洋洋系列电影咯～
这部电影在观看的过程中最大的感觉是绝望。那是一种没有希望，无力感遍布全身，折磨着自己，也折磨着别人，满身愧疚的感觉。
虽然有很多灌篮高手以及NBA的影子，但是片子肉眼可见的动画工业水平进步还是值得肯定。7分
吐个槽，就是灰太狼你这孤狼最后也加入了羊羊们了，真是打不过就加入啊😂😂😂
玛德 曾经蹲在家里看电视的时光再也回不去了
作为平时不看篮球的观众，刷完感觉特别想找篮球题材的动画来看，哈哈。还是值回票价的233。没看过本传动画，只是对部分角色有所耳闻，在大电影里终于把这几只羊的名字和设定弄清楚了。一直以为喜羊羊与灰太狼同龄，没想到前者好像还是学生，后者却已经是有老婆孩子的社畜了。片里大数据吐槽、外卖小哥境遇之类的现实主义元素有点意思，可把未成年人上学和打篮球爱好对立起来最后也只是二选一没有真正消解矛盾就不太妥当了啊。
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