Future of Food In the past year, we have seen food riots on three continents, food inflation has rocketed and experts predict that by 2050, if things don't change, we will see mass starvation across the world. This film sees George Alagiah travel the world in search of solutions to the growing global food crisis. From the two women working to make their Yorkshire market town self-sufficient to the academic who claims it could be better for the environment to ship in lamb from New Zealand, George Alagiah meets the people who believe they know how we should feed the world as demand doubles by the middle of the century.
【India】
George joins a Masai chief among the skeletons of hundreds of cattle he has lost to climate change and the English farmer who tells him why food production in the UK is also hit. He spends a day eating with a family in Cuba to find out how a future oil shock could lead to dramatic adjustments to diets. He visits the breadbasket of India to meet the farmer who now struggles to irrigate his land as water tables drop, and finds out why obesity is spiralling out of control in Mexico.
Back in Britain, George investigates what is wrong with people's diets, and discovers that the UK imports an average of 3000 litres of water per capita every day. He talks to top nutritionist Susan Jebb, DEFRA minister Hilary Benn and Nobel laureate Rajendra Pachauri to uncover what the future holds for our food.
【Senegal】
George heads out to India to discover how a changing diet in the developing world is putting pressure on the world's limited food resources. He finds out how using crops to produce fuel is impacting on food supplies across the continents. George then meets a farmer in Kent, who is struggling to sell his fruit at a profit, and a British farmer in Kenya who is shipping out tonnes of vegetables for our supermarket shelves. He also examines why so many people are still dying of hunger after decades of food aid.
Back in the UK, George challenges the decision-makers with the facts he has uncovered - from Oxfam head of research Duncan Green to Sainsbury's boss Justin King. He finds out why British beef may offer a model for future meat production and how our appetite for fish is stripping the world's seas bare.
【Cuba】
In the final episode George Alagiah heads out to Havana to find out how they are growing half of their fruit and vegetables right in the heart of the city, investigates the 'land-grabs' trend - where rich countries lease or buy up the land used by poor farmers in Africa - and meets the Indian agriculturalists who have almost trebled their yields over the course of a decade.
George finds out how we in this country are using cutting-edge science to extend the seasons recycle our food waste and even grow lettuce in fish tanks to guarantee the food on our plates.
He hears the arguments about genetically modified food and examines even more futuristic schemes to get the food on to our plates.
赞同杭州友人所说的，真实接地气的风土人情方言片在“虚情假意的文艺泛滥的年代”是一股清流🐶
真相会打破平静，但说出真相才是最正确的选择。 （谢谢你呀小du，和你在一起真的很开心）
电影感不强，但胜在真诚。
我們當然知道現實不可能就這麽完美
我为上海没有多排片而哭泣，从头到尾都很喜欢
哈哈哈哈哈，奶奶简直是个活宝，笑不活了。笑点的打磨比前一部更用心更密集了。跟前一部没有必然联系，完全是另一个故事了。镜头摄影也比前一部更精致了。有个镜头印象深刻，阳光透过云层洒在远处的山上，近景的海浪一波接一波，就像人生，免不了许多波澜。这一部情感处理更加细腻，婆媳关系从陌生到熟悉再到陡然激化，层次更加分明。家人之间的疙瘩总是要通过沟通去解开，虽然过程会有艰辛，有一方先示弱，总会有解决办法的。潮汕的习俗，潮汕麻仁的偏见，两代人之间的隔阂，奶奶的开明，不同年龄层不同立场，没有所谓的对错。最后还是熟悉的戏份，男主跑到机场找到女主，意外的是没有挽留，女主也没有回头。最终还是he，开心～加一星支持潮汕电影，加油！
用光和影来说服我们！！！
love is love.
印度电影真的完全不留白 以至于看了一个世纪竟然才过了一个小时 喜剧效果爆炸 自己看都可以笑飞 drama和人物心态转变衔接很自然 关键是形婚代入感十足 活脱脱印度版形婚指南了 这么超前的内容怎能不给五星
love is love.
4#带你去见我妈 2022.01.09
真好看哟！不管什么题材都可以来一段绚丽歌舞，哈哈哈哈哈😄
从《真雄起》到《永结同心》真的是以可见的方式在前进，在这方面还是蛮羡慕的人家的。
从《真雄起》到《永结同心》真的是以可见的方式在前进，在这方面还是蛮羡慕的人家的。
第3601-对比昨天看《四海》，这部耐看得多，比如儿子和母亲打闹，儿子从平台上面看妈妈给洗澡的弟弟拿煤气罐，很多要用心去感受才能安排出来的细节，对比四海的形式花架子，更能入心。开头相亲段子有点low，差点放弃。
前半段很好，真实到我生理不适，后半段就有点美化了（别问我为什么知道，因为我就是知道😭😭)开放结局会更好。
虽然但是，三段主角的情感经历也太水了，一见钟情然后光速确定关系，两个半小时的时长，何不认认真真讲好其中一段。
永结同心原来是永结同心，中国文化真是博大精深哈哈哈哈
很可爱，节奏内容都克制，印象中的印度跟这里呈现出来的真的很不一样，国外对于中国的眼光应该也类似吧，所以要多看看世界，电影和想象，都不是真实的世界。
剧作中的冲突纯粹只是观念矛盾，人物成了观念的图解物，无血无肉，整部电影所谓特色也只不过充斥着民俗的猎奇性。女主角分开后再在一起的动机无缘无故。另外就是视听上平庸到不行，都能和隔壁《反贪5》的林德禄一较高低
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