With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
挣钱嘛，不寒碜。剧2就别拍了，省下人工和费用搞庆余年2吧。
虽说是网剧不应要求过高，但第一季好歹是个穿越，用点现代梗和网络术语也无可厚非尚可接受，但影版的互联网和咸鱼什么的就过于突兀。剧情也是老的不能再老的套路，甚至全局都没有一个兴奋点，平淡，冗长，赘婿成赘絮，实在没什么意思。
挺搞笑的!刘冠麟喜剧演员走到底吧!女演员都很美!电影结尾还有彩蛋,真是要做赘婿宇宙啊!!!厉害了！！！
拉美驱魔片，既有致敬和传统套路，又充斥着冷幽默和反套路，最有意思的段落就是恶魔联合起来“驱圣”。
一些有意思的梗还是挺逗乐的，只是结尾的走向越发奇怪
有创新也有讽刺，怪物形象也还行，但剧情刚好是我天雷的那种，男凝严重并且有对女性深深的恶意，qj非说是被附身，被qj者还爱上了qj犯，甚至生了孩子说是上帝的礼物，我的天，🆘
反向驱魔可以的，牧师和恶魔做交易也可以的，就是丧尸片有点过分了，这个说实话体量有点小。不过难得最近还有个驱魔片，还行
把电视剧里新颖的部分拿出来 还算合理的剧情 苏文兴有点憨还蛮好玩的
挺好的一个网剧番外的模式，做到了完整保留了正剧故事背景及调性，番外主角的人设也和正剧高度一致，并且很好地延展了人物的另外一面的故事，有人物弧光更加丰满。笑点和节奏都掌握的很好，演技也不尬，给同类网剧的番外创作树立了很好的标杆。故事很简单，还是在古代开金手指的无厘头搞笑，不仅做了正剧的补充，还很好地完善了一些正剧中的细节，并且完成了给第二季做铺垫埋伏笔的任务。单看也是个轻松向的网大，中规中矩。
063.赘婿宇宙的番外衍生品居然还挺成熟，有点出乎意料，老梗用起来丝毫不违和，经典配角都来捧场（耿护卫居然也有个意有所指的模糊镜头好评），还给赘婿第二季埋了伏笔和彩蛋，自我定位相当清晰，蹭蹭热度顺便给一些新演员暖场～配乐整出了王沥川的味道，小鸥极有可能是在缅怀和致敬
这个剧情真的好有意思，不知道编剧的脑袋瓜里都装了些啥，这个故事编的也太有意思了，四星给编剧，还有一星给贡献笑点的吉吉国王。
牧师的牺牲也没得到上帝的加持，驱魔手段还是靠吼，魔鬼和上帝的附体都认为对方该被驱逐，搞笑。
这个感情线立意真的很不错，男女主互相帮助，最后男主也长了赘婿，感觉真心蛮爽的，再也不是男主累死累活，女主安如泰山了。
还是那个味，就是感觉大舅哥不是那个大舅哥了（只看过剧版）
靠着吉吉国王的演技和赘婿IP撑起的一部番外剧，哈哈哈，看的好开心，腾讯当年选择了肖战的斗罗大陆，而抛弃了不看好的赘婿，肖战身为男主角演技竟然如此尴尬，全程跟个傻子一样啊！啊！啊！的叫，不论演什么情节永远都是在瞪眼睛，尴尬演技+5毛钱特效简直看的我想吐，而赘婿却看的我好开心，不论郭麒麟、铁娘子、还是吉吉国王父子这种小配角，全程演技在线，真是难得，如今这个信息化爆炸的年代，不管你是主角还是小配角，只要是金子总会让人看到的，而靠一张帅气的脸蛋来浑水摸鱼就一定会挨骂，没有对比就没有伤害。演员是演员，明星是明星，完全两码事。
很好地承接赘婿第二季 非常有诚意的网大 故事无脑但是演绎得生动 笑点也比较密集。
看之前：这什么玩意儿。看之后：还挺感动的。
这好敢拍啊，这是可以拍的吗？西方不是崇尚圣主可以驱散一切罪恶吗
看得我好讨厌这个赘婿，他自己说的，“废物在哪都是废物”，崛起时刻的坦白竟然是喝醉酒醒来不记得的那种。（所以最后苏家掌印哪去了？）
从《庆余年》到《赘婿》再到这部番外，男主实力越来越弱，“爽剧”越来越“不爽”
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