The Gateway Meat is a disturbing and sadistic film, that strays far from the normal conventions of the horror genre. It is about a group of Satanists, living in a quaint, coastal fishing town. As the film progresses we get to know the character played by DeCaro himself, Markus. The film is mainly about how Markus struggles as he tries to deal with the great expectations that are placed on him after his fathers death. Markus' father, who was a Satanist, was trying to open up a portal into hell. Now that he is gone, Markus must take the reigns, and gain the power that his father wanted. With the help of his family and a couple of friends, Markus murders his way to power, as his young, preschool aged daughter watches."
可能是对亚瑟王故事多少有点概念,所以对导演的各种隐喻和杂糅不反感,但是我也保不定如果是个其他故事我会不会还觉得这是个有趣的电影。镜头很漂亮。
断断续续又迷幻不清的片段,可能这是英国历史的文言文吧
这是一部教育儿童做个有个性、充满爱心的人的影片。
黑白与彩色,归乡与离乡。
为美术和音效加一星
大卫·洛维的新片,这次没有在美国现当代社会的语境中讲故事,而是换到了英国的古代传说中。或许,洛维更适合这种奇幻故事。
相比城内的拥挤混浊暮气沉沉,奇诡的密林和荒郊充满了生的隐喻。不得不说结尾真好,欲念固然生长繁茂虬结,但扔掉绿腰带的一刻,骑士的向死之路才真正有了归程。
一个纨绔子弟的成“士”之路,要看懂其中的隐喻象征、考验关卡,势必要了解原著故事及相关背景(或看别人的解读)。导演的改编依然注重形式,并没有什么新的概念或想象。有些东西并没有“为什么”,就是“设定”。影片中的章节小标题,感觉有点浪费了。另外那条出场不少的腰带,略显尬尴。
断断续续又迷幻不清的片段,可能这是英国历史的文言文吧
不知道故事背景 看不明白
以皮兰德娄归土为楔子,寄托了还是对哥哥的思悼,穿插历史记录和对死亡的思考,对皮兰德娄遗作改编还是拉了,车厢戏影像确实厉害,看的令人舒坦
这片得在影院看 音效太棒了 故事改编的也蛮好 很喜欢片尾部分future flash的音画处理
画面没得说。情绪不好看不下去。21/08/20
视听是有被爽到的,但扑得很像《雷神3》,前者拿喜剧手法拍悲剧,后者拿神话壳子包童话,该有的调调南辕北辙。以及实在不理解,这种混不了颁奖季,挤不进三大,质感陈旧,内容老套的片子拍出来有啥意义……
又是一部风格盖过内容表达的作品。非常喜欢这位导演此前的《鬼魅浮生》,所以在将近结尾部分看到如出一辙的手法相当兴奋。对骑士精神的古典解读,也融入现代人的思维表达。表面上是拒绝类型化的寓言故事,但实则又无处不在套用冒险题材的悬疑惊悚情节,使叙事在古典与现代感之间摇摆不定,甚至有失衡偏差的惊险时刻。
The first part in B/W could be seen as a journey to bid his brother a moving adieu by transporting the ashes of Pirandello, whose works have been adapted by the brothers, to his Sicilian homeland. Whereas the second part in color is quite confusing for us who have never read the story before. The shift from grey to color is poetic though
不过 黑白渐渐彩色很喜欢
美式的假笑,美式的浮夸演技,美式的温情故事,应该在平安夜看呢
一个“迪士尼公主”,披了一层“聊斋皮”,喷上“A24香水”。难受。
意义很好,很适合小朋友看。大狗的效果真的失真,没啥了
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