Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.
故事性比较差
所有该有的元素一个不少，很精彩很满足，少给一颗星是因为还是剧本的老问题，情节越到后面越崩。
建议直接从影片中部开始看，剧情拖沓，不过对于喜欢军事题材的观众来说，老毛子拍得很过瘾。
故事就是一般柯南剧场版的水平 CG感也太重 而且原来大数据的结果就是 观众们爱看加朵时装秀 强森和雷诺兹搅基（有一说一 cp感是比速激里和郭达的强） 神女斗死侍 但一场闹剧 欢乐是真的欢乐
下了个比机翻还差的字幕都没看明白，而空战就几秒，本身电影就真他妈的无聊
插科打诨挺欢乐，环球冒险看点多。帅哥美女加硬汉，不如剧情走点心。
例如飞行员学校毕业时恰逢前苏联解体，那些学员的选择，与当时现实中苏联军方的态度做对比。
现在来看很应景，什么时候拍一个乌克兰的
5.0完全的风光爆米花电影，硬整节目效果，反转老套尴尬，毫无意义，人物严重脸谱化，雷诺兹只会耍贱，强森冷硬制造反差。投资巨大，娱乐效果说实话确实没带来，看够这种垃圾片了。
啊哈哈哈哈哈哈，结尾真的很好笑，但是这个片子确实是以往各种动作间谍片的集合，像年终晚会
拍的太垃圾了，什么玩意儿，浪费时间，最后的营救就像在打cs,战争场面过少，大篇幅用来家长里短，这种玩意儿好意思拿出来哄弄观众，三流的导演，18线的演员，最垃圾的编剧，霍霍了一个原本不错的故事
多余的回忆和冗余的对话 以及电影不知将主角的重心偏置给谁 虽然是真人真事改编但还是在导演的步调下不对劲…
合格的爆米花电影，比想象的好一点，加朵太美了
还是可以的，空军作战的展示很到位，但犯了俄式煽情的老毛病，把片子揉的太碎了，回忆和家庭片段剪掉，成片100分钟效果会好很多，其次还有一些剪辑的技术性问题，没法补救。
这个垃圾电影政治立场有问题，111分钟左右有一个指挥大厅世界地图亮起来的画面，中国大陆和台湾不是一个整体
最强卡司+2亿美金预算+全球取景最后却搞出这么一部槽点满满，对白浮夸情节荒诞的平庸之作。闹腾是很闹腾，就是非常的老套和无趣，以至于最后的反转都感觉提不起兴趣。神奇女侠的性感和美貌倒是展现得淋漓尽致，Angelina Jolie终于有了接班人。
前四十分钟是脉脉温情家庭片。男一有老婆儿女双全，男二老婆快生了俄罗斯医院可以看怀的是男是女。后面二十分钟讲俄罗斯特种部队执行任务惹了FBI或者是DHS的雇佣兵导致后面借土耳其之手报复。中间穿插了很多男主他老婆的回忆。这个回忆无时无刻不在提醒男一要死了男一要死了。这不是一部战争爽片。不要被短视频平台的剪辑蒙骗了。
平平无奇…就最后一段纸飞机和儿子的敬礼挺感人，前面无感，最后突然泪目…感觉做个短片就挺好，没必要搞这么长
总体战斗场面绝对好，最近这几年好像确实多了很多毛子主动对90年代社会变化的反思，最后纸飞机那段也是high level，比起 长津湖最后那个一群人冲向海边又不真实又不贴合战役给后人留下的精神价值 不知道高到哪了去了。。电影长津湖拍成这样还真是白瞎了这么好的题材。。
还不错的大盗片，盗窃的过程有些简单，而且结局有些太好猜了…暗示给的也太明显了…看到宴会跳舞的时候就基本可以确定了。看的时候总是会想到前阵子很喜欢的动画《大欺诈师》~也是这个题材也是网飞播的…看来网飞的数据没错…我的确喜欢这个类型的片子~
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