Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
意外的喜欢，人生确实就像围城，姐妹羡慕互相的选择，难以敞开心扉，个中苦乐只有自己明白
越来越对网大刮目相看了，即使是拉长版的小品，但能被那么一两个笑点戳中也挺值了
沒太多悶場
6.0 这部在网剧里面及格了，比辽东三省出品的那些浑水摸鱼的作品好很多。也不那么尬，套路虽然不新，总体过得去，算是比较舒服了。
很轻松的电影 很迪士尼 中间有少数篇幅插入迪士尼经典歌舞 一个执着好莱坞歌剧的男孩坐上大巴去城市参加面试 通过自己的能力和坚持留了下来 小男孩蛮可爱的！
看的很舒服啊 没有硬硌叽你笑的感觉 如果当年的爱笑能出来攒个电影就好了 勾起了我对沈阳鸡架的好奇 你这是犯罪！
男人都是善变的，但万变不离其宗。
有些桥段挺搞笑的，演员表演没问题，就是剧本太平了，冲突不够
逻辑就是不通的，剧情又假又无聊，梗又老又破又无聊，演员的演技差加上很大众的长相，导致剧情毫无可信度
网剧中算好的吧，为什么六分不到。不带脑看看挺不错，也不尬。除了一两个重复的戏码
No.2343 剧情挺扯的，但起码还是有个剧情的，能看不能细看，吃饭的时候倍速看。
不错啊，有诚意的剧本，演技也在线，玩梗的手法没有那么烂俗，至少有几个地方笑得出来，比春晚小品精彩
挺好玩的 人物刻画也挺喜庆 看个喜剧还要深刻 笑就完了
没有高分说得那么好，也没有低分说得那么夸张，所以我给中间分数哈哈哈哈哈哈
全片2分无新意，只有男主老婆的那句台词：“两个工作你选一个，选一个自己喜欢的。”那个片段瞬间泪目。这大概就是真正爱你的人吧。老爷子不愧是老戏骨，唯一一个演技在线的。
小品界的MTV，其实还是很不错的。观众想看的，都照顾到了～
完整、成熟的网大喜剧，没有明显的短板。崔志佳或许在辨识度上不如网络电影里的张浩、宋小宝、宋晓峰，但他的创作能力是遥遥领先的，这一点无疑会让他走得更远。
意外惊喜，挺好笑的，各种笑点处理也比较自然，笑点很多，支持国产喜剧。我笑点比较高，老郭的相声我好多都没什么感觉，脱口秀大会看看看，这部剧真心不错，推荐！
作为网大来说可以，整体镜头和故事连贯性可整
国产现代片儿需要解决的一个问题是可信度，先把可信度问题解决了再玩梗啊，要不然看着累
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