Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
像那张多人海报一样，感觉很山寨，但有大牌明星。
居然觉得比《神秘海域》还要好看些，至少笑点很有趣，钱宁傻白甜的肉脚形象相当不错，皮特出来打了个酱油，我居然对着那张沧桑的络腮胡看了半天认不出来！另外，这不是艾伦期待的丛林寻宝片，而是洛蕾塔笔下的爱情冒险小说。
在娱乐性上比<神秘海域>有意思，常看电影的话还能找到一点小彩蛋。
钱老板身材颜值回春，但是演技貌似退步了。
格式都对但就是不再有惊喜和乐趣。这就是此类型现在的困局。桑德拉真就演这种驾轻就熟，保有魅力。
很好笑啊，都笑出声了，charning哈哈哈哈哈屁股哈哈哈哈哈哈哈哈哈诱人啊哈哈哈哈哈哈
感觉正片没有预告那么沙雕 笑点比较平但还是一部挺有趣的爆米花感冒险题材喜剧 布拉德·皮特真的好帅
欢乐打酱油，老美的惯常思路，跑别的地方挖掘历史遗迹（非法），但是核心问题是绑架美国人。至于低价奴役原住民，那不算个事……
这种没有乱七八糟ZZZQ意识形态的电影真是令人身心愉悦，我真的好喜欢肥查啊
布洛克快60了，体态还是没的说，不过整的和以前不大像了啊。全片快两小时了，压根没在意到底是如何探险的，110分钟左右的时间里的主题就是一伙人的插科打诨。
已经把期待值放得很低了，所以自然不会失望，可也没给我意外的惊喜。
在繁忙的工作夜看这个真是浪费人生啊……基本就是招大牌来串个戏，用几句编剧放飞自我的词儿尬聊；或者说是个访谈类综艺配上绿幕的美景后期。全程三倍速，不会有任何惊喜被遗漏。蛋尼算是又给自己折腾出个新角色。
皮特出场的这几分钟要我狗命……WHY ARE YOU SO HANDSOME！！🥲
前半部分挺好笑的，皮特演了个《阅后即焚》式的角色。
这种古怪的romcom挺适合现在看的，no? 皮特甩秀发太秀了！
畅销小说家的探险之旅，紫色亮片大V字領服装太性感抢眼了吧，“傻大姐”桑德拉布洛克永远神经喜感女神！布拉德皮特的退役军官身手不错，飘逸的金色长发和胡须还是那么迷，与美女女主放电一枪中的太冤！哈哈，也是挺欢乐带冒险的电影！
感觉是没经费的寻宝片，没啥大场面，无聊可看，毕竟电影配色还是很喜欢的。
[视]派拉蒙流媒体。三肤色开场，老子，道德经，饥饿游戏，飓风营救。亮片紧身衣，光头光腚舞者，动作戏少，解谜戏少，片名<迷失Z城>，情感升华戏频繁，皮特客串，结尾有彩蛋。小岛火山，葱郁盎然，丛林摩托，瀑布攀岩，成本有限，特效还行
完全颠倒传统性别设置——女性对男性的引领、保护和凝视（还是全裸猛男）。
看看笑完结束了，皮特太好笑了，打斗装逼还要搭配浴血黑帮的主题曲。
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