Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
说实话啊，比后续那几部卖情怀的强太多了，但也没有b站说的那么感人。我看到最后想落泪，完全是因为吴孟达，这可能是我看过他的最后一个作品，尤其是片尾花絮，很难过。
故事三星，多一星是达叔的。齐天大圣只是个名字，任何人都可以是齐天大圣。有点大话西游，又有点白蛇缘起的感觉，普通人最终也可以因为爱，因为情缘获得强大的精神力量，愿意付出，还是挺感人。
还不错 没有以往网大花里胡哨的东西 能感觉创作者们的用心和对大话西游的喜爱
挺不错的 故事挺有意思的 男主演技也很自然 真实 就是女主演技有点拉夸 有的时候接不住戏
缘起亦是再见。又想你了，大话西游，青春的回忆。
这个紫霞仙子还挺灵动的 耐看型美女
男主长得太丑了，但凡好看一点儿我就给它打四颗星。
打着大话西游的名义，看着没那么讨厌就已经是成功了。
吴孟达 网络电影 扮上后的孙悟空造型太丑 还是不行
三星中肯，不褒不贬，这个主题被安排了20多年，算是一个不太圆满的句号吧。
剧本感觉串的蛮好！作为不知名电影的话，感觉很好了，不算消费情怀！值得一看！
女主角很可爱，继朱茵之后最好的一个版本紫霞仙子。
省流：孙悟空打败石头精，想与紫霞仙子生猴子
三星全给女主和达叔了。女主真是好甜好看，青霞也蛮好看的，好吧剧情。。。
剧本用心了。可见的剧组贫困，特效可见的烂。但是故事很好的解释了至尊宝和紫霞的缘分。担得起缘起二字。
虽然是网大，但有达叔还得看。注意到马心瑞是在电视剧《还没爱够》里面，当时就觉得这个女二很有女主气质，现在改名叫马瑞，颜值还是够得上的，继朱茵之后演紫霞的人除了她和彭小苒有些感觉，其他就连唐嫣都没有。这里至尊宝人设大改，女追男变男追女可以的，但主角不应该因为梦就说什么不能走，怪异突兀。世界观设定在花果村大闹天宫前五百年，可所有人都知道西天取经？老爹+卖面+阿宝？功夫熊猫？紫霞仙子出场没有慢动作滤镜过度渲染，反而是滑稽的，反套路可以。青霞终于有了形象，紫青双剑合璧不错。但镜头配音等等都很拉，都是彩蛋和致敬，台词却不好。BGM加了戏腔，有点意思。场景还原了，这点也行。悟空扮相丑到一定境界，如果颜值撑不起来千万别用自己的脸，连六小龄童和周星驰都不敢，你那么普通又那么自信。
多一星给达叔和《一生所爱》以及那些故旧景物。
讲实话，总体看来就是“穷”字，但是也能看到诚意。达叔最后一部电影是噱头，但是没有过度炒作，感觉多几千万预算会是很好看的电影，多给一星支持！
能看得出来剧组没钱，但是丝毫不影响故事的完整性。演员的演技都不算拉垮，不像是瞎编乱改的网大。
致敬经典，达叔的最后一部作品，虽然就出场10来分钟，但是大话西游的经典不能没有达叔。
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