Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
7分。好久没有一个人到电影院了，看的时候有几个场景还有点瘆人。中国美术学院出品，画面是挺美的，故事也简单，人物塑造不够丰满，看起来差点味道，总觉得流于表面，虚实结合的手法有点意思，实在表达主角对自己的行动内心也是怀疑的吗？
——这气氛多像电影，正常男主都应该叼根烟，然后再放首《当年情》，那气氛一下就上来了。
三个重新走向社会的人加上一个“范大明白”，一场300万的葬礼，一段20年前的纠葛
题材挺有意思的，有点《大碗》的影子，不过故事差太多了
题材挺有意思的，有点《大碗》的影子，不过故事差太多了
有笑有感动，这不比那些作假的流量明星演的东西好看？？！！
笑点满满，又不只有笑点的电影。东北喜剧人半壁江山都来了~！崔志佳，导演真不赖
2022058《东北告别天团》
2星半-3星，包袱不恶俗，前半段笑点很多，后面煽情讲道理有点儿无聊，结尾还整个call back，随张彩票笑死，值得一看，但没什么反复回味的必要，属于一辈子看一遍就够了的电影。
没有预期的烂，还是有点内容，能把整部剧练成一起，不像以前都是拼凑的小品。
当笑话看合格，当喜剧看比上不足比下有余，有些人非要当正剧看找合理性就太看得起导演了。
四人丧葬队，low到爆。告别天团，不明觉厉。天团F4几次同框亮相都很有范。“这包子，咋没昨天的好吃了呢？怎么了？你这馅味不太对啊，照昨天差远了！不能啊，这就是昨天的！”笑点挺多，值得推荐！
人性是复杂的，用一个理念去往里面套用，去刻意提出一个理念，才是最尬的。
网大还要啥自行车，这就是过年了。确实挺好的，有几个地方笑果不错。
你说咱这气氛是不是像电影？就应该铺首《当年情》。
假、俗、有笑点！比最近麻花出的几部片子强多了，至少看出用心了，配上二手月季的摇滚致敬披头士真不错，三星鼓励一下！
前面有4星，梗很密，也不老套；后面一半不值1星，不知道是咋了怎么老套无聊怎么来，这也不是合拍啊，怎么前后如此泾渭分明，后半部分烂的很彻底，快要接近麻花点电影了，如果那也算是电影。
两星半，其实看得出来是有想法的。但是无奈水平不到位啊。
害行，挺好玩，加长版小品，只要不像贾冰那种煽情加恶俗我都可以接受
要真当个电影去评价的话确实不太优秀，算是对故乡情怀的鼓励和赞美吧
Copyright © 2015-2023 All Rights Reserved
