With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
看了这么多季头一回产生了想把编剧打一顿把笔拿过来我写的想法，这水平简直是侮辱这个ip
立意是好的…剧情嘛…基本上是动画片里拼拼凑凑的，看着蛮解压的哈哈哈哈哈哈哈哈哈
女儿失踪，父母毫不焦虑，弟弟甚至玩起无人机，游戏室的墙开了，女主毫无反应。全程看不到魔鬼，最后一幕三个人数数莫名喜感。
怎么说呢……跑着跑着突然停下来谈情，屏幕差点都被我捏爆了…………
散场问孩子们，他们竟然还说没意思，的确，品味很好。
End of the queerbaiting finally huh
好家伙，有薛定谔的猫背书，小成本电影也可以拍得这么魔幻，不可否认恐怖，紧张气氛已经拉满，尤其在5.1影院环境服用，非常过瘾，最后还扯到犹太神话，看完之后对数数都有恐惧感了LOL
炒冷饭，把动画片里的剧情搬到电影里，差评！！！
删除养老院和霸王龙小分队的故事线，完全就是三集动画剧情搬到到大荧幕上，虽说是子供向作品，但是制作组真是有够会偷懒的！小美和刷子的配音也换了，失去了我童年的味道
气氛渲染的挺好的，大家一起排队数数是我没想到的。
有些情节属实糊弄了……简直就是照搬动画片里的情节，前半部分节奏拖沓，只有结尾比较精彩一些。
主题明确富有教育意义，前部分有用早期TV版初识牛爷爷做开头，但还是很感人，结局吴爷爷的演唱很精彩，开心^_^，我们都是正义的霸王龙小分队。嗷嗷🦖🦖
立意还行，剧情略无聊，看到大半娃吵着不看了
剧情太水了。。多了个yaz的线还是蛮怪的。。
这部里加上了敬老爱老关爱老人的元素，给小朋友看也能起到一定教育意义吧～
我，社会主义长大的唯物主义新青年。我直接反手一个大逼兜儿，砍下你的牛头当场红烧，上帝来了都得给我跪下。敢抓我家人，我拆了你的庙！
另外就是，有点想吃章鱼烧了🙃
经典的戴立克。中规中矩的剧情吧。突破“它预判你的预判”。
到底要消费多少遍牛爷爷 小时候就一直心疼牛爷爷 一晃我长大了 他们还在怕牛爷爷
烂的不能再烂了，作画到台词到剧本，完全就是敷衍，最后强行回忆杀也是莫名其妙，邋遢大王，黑猫警长，牛爷爷说他老伴去世了结果下一秒我女儿就问我这不是牛爷爷的老伴儿吗？不是死掉了吗？结果一看是张奶奶
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