A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
- JohnHowardReid, imdb
家里三岁的孩子，短暂喜欢过图图，后来将热情全部投入到汽车类动画了。作为家长而言，稍微觉得有些可惜。图图的剧情一般以积极向上的道理为核心构筑故事，诙谐幽默之余，又让小孩得到了成长，是适合小孩子看的一类动画。
CC的创作力彻底枯竭只能靠抄旧的设定来苟延残喘，而且还没有能力圆好。新年嘛，喜剧一点倒也没错，只是太没有新意
陪家人一起去电影院度过，小朋友看还是挺不错的，大人就有点昏昏欲睡了。上海电影制片厂老情怀了，画面制作很有进步，希望能有更多创新。
看之前看短评不太好，去看了小朋友挺喜欢的。
高分辨率甚至显得有些诡异
一般吧 比起13季又无聊了起来……亚兹突然表白什么鬼
又杂又老的梗杂糅在一起，和近几年春晚上的小品不分上下。整一个不伦不类。
2021.10.1-15:25，与帅帅一同观看。
一个叫图图的小孩，很顽皮总是恶作剧，天不怕地不怕只怕西游记里的牛魔王，结果有一天遇到了楼上的邻居牛爷爷，他把牛爷爷当成是牛魔王。天不怕地不怕的图图只怕牛爷爷，从此一提到牛爷爷，他就变得乖巧。一次机缘巧合，他重新认识了牛爷爷，发现他不是坏人，慢慢的跟牛爷爷走近了，而图图也不再恶作剧。一改往日的顽皮，变得懂事富有爱心。然后他们一起去敬老院为孤寡老人表演节目。 就是这么一个很没有情节，很扯淡的电影，孩子还挺喜欢，可能因为他们小分队的一段音乐舞蹈口号，有一定的带感。
画质：5
现在才开始博士和Yaz的感情线不觉得晚了吗，而且前面也没铺垫，看得我只有尴尬，感受不到cp感。
不是CC你是不是觉得你很幽默“观众看了三集都没有看出来13和Yaz的感情戏是因为Yaz暗恋博士！怎么样我把暗恋拍的多好！没有一个观众看得出来！”你以为你很幽默吗？？？我去三季了整整三季了！！就tm烟花那里让我觉得她们是双向的，甚至Yaz和Ryan的互动都比跟13暧昧，我甚至都默认这对cp了结果Ryan突然走了？？？然后Yaz突然告诉Dan她已经暗恋13很久了？？？这是在干什么！！！搞咩啊！！！打咩！！！我不接受好吗！我不接受！！
情怀依旧，但是剧情尬的我脚趾头扣出一个翻斗幼儿园
真的很烂 真的很烂 真的真的很烂
那个姐姐的片段属实可以，其他的话也就那样吧，感觉不能算惊悚恐怖加了点恶心😬
究极缝合怪，把画面，房屋，手机，公园这些除了剧情的东西都翻新了，非常不协调。当年这些剧情分成几集是每集有每集的叙事结构，都有安排每集的铺垫&高潮情节，现在就硬接……其实后面养老院表演还有点原创的意思，但后面3首上美影动漫的歌让我意识到，他就是想炒冷饭。
前半部分就几乎是库存，很多画面和台词都在剧版出现过。但后半段还是挺好看的，毕竟我爱张小丽…
节奏安排的不是很好 前面2/3都是剧版有的内容 后面关于养老院的升华也很僵硬 还是一言不合就尬歌尬舞 刷子小美配音奇怪 第一部电影的缺点算是完整传承了 甚至深度还没第一部深
对比面目全非的大头儿子和舒克贝塔，图图还是好可爱哦
比大头儿子小头爸爸还难看，国产动画IP就别拍电影了，一个比一个烂
Copyright © 2015-2023 All Rights Reserved
