Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.
不是我喜欢的类型片，但是能完整看完，也值一个三星了。
谁都觉得她该去死，可是没想到她所说的I have to protect her是这个意思。前面的起伏压抑全都是给最后的反转做铺垫。虽然结局没有大团圆，but也已经是最好的结局了吧。女神演技毋庸置疑。
其实我觉得套路化痕迹挺重的，不过各方面都很成熟就是了
私以为，如果妹妹真的不记得那时候发生的事，那不找她让她永远不记得不更好吗？
what are we living for
桑德拉布洛克一个人的表演，故事紧凑有反转，结局也非常耐人寻味和意味深长，整部影片都在投射着定罪的不严谨，枪支随意使用，出狱者无法被社会接纳，报复心理很多社会问题，是很好的体现社会性问题的片子。
非常简单直线的剧情，却被导演调度得大气磅礴，感人至深，又成为桑德拉的一部代表作。
成年人替未成年人顶罪，这次美国白左可算是左出了新高度
桑德拉演技炸裂。电影里每个人都有故事。警长的两个儿子，成年后的生活不尽如人意，把一切怪罪于那个夺走了他们父亲的女人似乎是最容易的借口。ruth替妹妹背下了杀人的罪名，妹妹的小妹妹又替他承受了被绑架。最后的拥抱，ruth不敢让自己太兴奋，荧幕前的我也是，多怕katie说出一句谢谢你救了我妹妹。多怕这只是一个感谢的拥抱。
是不是只要全程板着脸，装冷酷，就会被吹爆演技？比如《一代宗师》的章子怡。剧情好才是真的好
剧情反转的那一刻，突然感觉之前的沉闷，慢节奏，突然都有理有据了。那么长的铺垫，20年的隐忍，就为了这一刻感情的决堤与爆发。才发现最近看的电影竟然都是网飞的，虽然电影的最终归属是大屏幕，但网飞的确给电影制作带来了太多的机会。
平庸的片子 影后级的表演 但我依然给5星 只因为拨动了我的心扉！
女主20年前为啥不找个年轻人演，跟她6岁的妹妹看起来像娘俩，其实20年后也像。
前面看着很像《暗黑之地》的风格 但渐入佳境 小仓库里特别害怕Steve一枪崩掉Ruth 那可就彻头彻尾BE了 小妹妹吃蛋糕背对姐姐被抓那组镜头 孩子有魔鬼一样的感觉 妹妹的两段钢琴插入的也恰好有氛围 结尾妹妹走向姐姐 的确催泪
看女主给养父母发火 真是无语。妹妹啊 这又是谁的错的？兄弟俩明显哥哥帅 果然戏份多些
其实我觉得套路化痕迹挺重的，不过各方面都很成熟就是了
Sandra Bullock演技没得说 故事合理性还是有点缺陷 整体还算不错
博同情故事，秀情感大戏，女主整容后时代来临，有点变形的假面看起来肥肠难受
我就纳闷了，这姐姐怎么看也不像杀人犯啊，我靠，果然，人不是她杀的。
惶恐滩头叹惶恐，零丁洋里叹伶仃，山河破碎风飘絮，身世浮沉雨打萍
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